By Winston Orrillo just met. Completely rosy, and is dedicated to-and-no doubt exclusive passion: writing.
We can say that Mario Vargas Llosa embodies the dream of Mallarmé known that life fits in a book, you live it only makes sense, takes on value only because it is intended to enter the pages of a volume. Vocation as undaunted
had not ever been in the national literature, and there are only few examples of it in the ecumenical landscape of literature.
If we review the major works of Mario, from City and dogs, Conversation in the Cathedral , Aunt Julia and the Scriptwriter to The fish in water - will find that in some more, some less, the author's presence nimba the work, or, in other cases, definitely the stars.
live to write, that everything that befalls one is to integrate a work: this is the desideratum of our author, who, on the other hand, there has never refused to live up to the stool, which call Jaspers extreme situations, but all for the purpose aforesaid. Owner
enlightened intelligence and sensitivity privileges, Mario, however, some rescued, in particular, the capacity ascetic cenobite for intellectual work, for the unconditional surrender to the realization of a work that is constantly won praise and not a few mixed reviews, because if anything characterizes our author is, precisely, its controversial status.
Nothing he says or writes can leave us indifferent. He specializes in cause our adherences on or our choicest insults.
Holder of large dams, it also has in his knapsack for Walker errors and misunderstandings that the generous wind of history will clarify.
is our most internationally recognized author (in life: as post mortem Vallejo and Mariátegui there are, in their centenary, they have caught avalanches conferences and symposia).
No doubt we will be our first Nobel Prize for Literature, a prize to be win by the tremendous effort to construct a narrative, without hesitation, paradigmatic.
El Comercio, July 1996.
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